The introductory essay is by Nicholas Fox Weber, and the catalogue raisonné was compiled by Brenda Danilowitz. The catalogue of 102 works includes the artist's lithographs, screenprints, etchings, offset impressions, and inkless embossings. The information comes from the works themselves, the artist's files in the archives, and published sources. The authors claim that this is the definitive reference on Albers' prints, and the numbering supercedes any previous catalogues. There are cross references to the Josef & Anni Albers Foundation, plus accession and workshop numbers from the various studios where the artist worked (Tamarind, Tyler, Gemini, etc.).